Fueled by seething rage and unquenchable desire in the peasant-turned-mech-pilot, Wu Zetian, Xiran Jay Zhao devastates in their YA science fiction debut, Iron Widow. Drawing from Chinese culture – social, political, religious – Zhao blends brutal reality with mythology, unleashing a powerhouse in the re-imagined Zetian, drawing from the only female emperor’s roots in a lead character determined to make a difference by bringing down the patriarchy, playing to her strengths as a woman, undervalued and overlooked.
Female. That label has never done anything for me except dictate what I can and cannot do. No going anywhere without permission. No showing too much skin. No speaking too loudly or unkindly, or at all, if the men are talking. No living my life without being constantly aware of how pleasing I am to the eye. No future except pushing out son after son for a husband or dying in a Chrysalis to give some boy the power to reach for glory.
– excerpt from Xiran Jay Zhao’s Iron Widow
As the youngest child of a poor family on the Huaxia frontier, Zetian is nothing but a bartering chip in her family’s eyes. She exists to be pretty, to bare children, to serve. The greatest goal she could achieve is death, her battle price an expectation in a world dominated by the Chrysalis-Hundun war. To pay her for her brother’s bride price, Zetian is encouraged to enlist, pressured by her family to be the picture of femininity in order to be chosen as a sacrificial concubine pilot, a necessity in the war to take back Huaxia beyond the Great Wall. Destroyed by years of fighting, Chrysalises – massive mechas inspired by mythological beings, powered by qi, and capable of majestic transformation – are Huaxia’s only hope. Drawing from a host of mech anime, including, most notably, Darling in the Franxx, Zhao intricately pieces together Chinese history with climatic animation in male-female co-pilot pairs, a necessity not only to regain Huaxia’s stolen territory, but to survive.
Written with exquisite detail, Zhao brings mythological beings to life, transforming gods into mechanical monsters powered by qi, manipulated by those with high mental fortitude, or spirit pressure, with high numbers most commonly found in young males. It is in this yin-yang pairing that Zhao explores themes of misogyny and sexuality, from the harsh reality that women are often nothing but qi batteries to the idea of “balanced matches” and “bonded pairs” beginning with pilot seat position, accommodations, and clothing, and ending with high tech malleable armor, pilot ranking systems, and untold secrets. In a world where most women are destined to die on their first flight, Zetian’s fierce determination, unwavering will, and strong desire for vengeance win, granting her a new title when she comes out on top of Huaxia’s most beloved pilot, Yang Guang.
Zetian’s recognition as a pilot-killer is anything but positive. Consistently undervalued in the face of a male-dominated war effort, she is placed with Li Shimin, the Iron Demon, after enacting her revenge on her sister’s murderer. Iron Widow and Iron Demon meet with trepidation, rumors swirling about the half-Rongdi outsider that is Shimin. Though he possesses the highest current spirit pressure, he is a high profile convict turned reluctant pilot, captured, tormented, and abused for his refusal to obey. With a rugged, cold exterior, Shimin is judged for his broadcasted past, patricide paired with alcoholism, but unearths a strong desire for vengeance and women’s rights when placed alongside the fierce, unflinching powerhouse that is Zetian. In a world where men only want one thing (power, born from recognition inside of a Chrysalis), Zetian and Shimin are a clumsy force to be reckoned with, enemies turned lovers in a moving exploration of power and discovery, born from the desire to dismantle the pilot system from within.
I’ve been told endless lies since I was born. That I was not kind enough, considerate enough, humble enough, honorable enough, pretty enough, pleasing enough. And that if I failed to meet the needs of those around me, I did not deserve to live.
– excerpt from Xiran Jay Zhao’s Iron Widow
Despite being declared a balanced match to the public, Zetian is no Iron Princess; she struggles every step of the way to pilot alongside Shimin, determined to claw her way to the top, even if it means pushing herself to her mental limit each time. Cooperative training sessions – ice skating, dancing, and flying – bring the duo closer together, albeit grudgingly, each wary of a past that haunts them. Mental balance is necessary if the Vermilion Bird is to transform into its ascended forms correctly, and inherently stubborn natures make matters near impossible until vulnerabilities come to the surface, pasts turned present in the mental spirit realm their bodies inhabit in the Chrysalis cockpit, the duo pushed out into battle long before their allotted rest period is up time and again in an effort to break them down, despite their unmatched power amongst Huaxia’s ranks.
When Zetian’s long-time friend and love interest, Gao Yizhi, enters the picture, Zhao demolishes any semblance of a love triangle immediately, encouraging open sexuality instead in the gentle understanding that Yizhi exudes. As the son of one of the wealthiest men in Huaxia, Yizhi’s connections have allowed him to follow Zetian, whom he met and fell in love with on the outskirts of the frontier. Unruffled by her fierce determination and rage, Yizhi fits in seamlessly, soothing and encouraging the Iron couple through exhaustion, addiction and suicidal ideation.
While it would be in his best interest to follow the lead, Yizhi joins Zetian and Shimin in their quest for vengeance on the patriarchy, becoming a necessity that allows the duo to connect on an emotional and mental level by lending qi and triggering the Vermilion Bird’s heroic form successfully. “A triangle is the strongest shape,” after all, and Zhao pens a poly romance laced with sexual tension, desire and understanding that is exceptionally sweet, allowing the characters to explore themselves in a way that encourages personal growth, each dynamic unique, enriching and distinctly separate from the other.
My heart stutters, drawing my chest tight. But I’m at peace with this. Instead of a betrayal of any form, it feels like a completion. My killer boy, my sweet boy. The final line in this triangular formation we’ve been dancing in, making us stronger than ever.
– excerpt from Xiran Jay Zhao’s Iron Widow
Tender romance, intense battles and unforgettable conquests send the reader on an unforgettable journey of betrayal and brutality in the quest for answers and equality. As the world comes crashing down around the trio, Zhao deftly explores history, dismantling the dystopia in a knock-out ending that challenges everything you thought you knew about Huaxia.
Written with lush, vivid detail that brings old gods to life in breathtaking mechs, rich attention to detail vies for power with a fiercely determined plot, vengeful characters, and an unforgettable romance. Stunning until the very end, Zhao is a force to be reckoned with, their words enticing and exciting in equal measure. There’s beauty in language, and Iron Widow is a work of artistic madness that longs for an anime adaptation of its own.
Although Zhao writes from the lens of Chinese history, detailing misogyny and the brutal expectations placed upon women, from foot-binding to subservience, they speak for all women in Zetian’s incessant fury and determination to gain control of her mind, body and destiny. Zetian’s relentless journey is equal parts exhilarating and empowering, making Iron Widow an impactful, impeccably paced debut that solidifies Zhao’s place on my auto-buy list.
Full of historical Easter eggs, well-realized, mythological mechs, and surprising sensuality, Iron Widow offers a scathing examination of the patriarchy through a legendary female lead.
Leave a Reply